Wild Fell

Michael Rowe’s Wild Fell

Quiet Horror is a misnomer. Quiet Horror is quiet in the same way the whisper in the night—while you’re lying alone and awake—is quiet. Rather than relying on jump-scares, shock, or visceral imagery, Quiet Horror seeps under your skin and into your mind and doesn’t let go. Michael Rowe’s Wild Fell, a 2013 nominee for the Shirley Jackson Award for outstanding…

Robots2

Robot Love: It’s All an Illusion

My Robot Illusion Scarf knitting pattern has been getting a lot of love lately. Last week, a Reddit user received one as a gift and posted about it. All of a sudden, my Knitting page was getting lots of hits and the pattern lots of downloads. “Cool,” I thought, “the more robots the better.” Yesterday, the robot stats exploded again,…

I Am (Not Only) a Camera

Point of View can make or break a story. As writers, we have a lot of decisions to make. Who will tell the story—or be our POV character. Will the POV character tell the story in first (I), second (you), or third (she) person? Do we need more than one POV? Writer and editor Jon Gingrich explains a few of…

Black Widow and Super Dragon Ninja Warrior. Do not mess with them.

Speaking of Little Bitty Bad Things…

Despite the number of ninjas roaming the streets on October 31st, I was incredibly pleased when Thing One and Thing Two, aka the grand-nieces, decided to go with Black Widow and Super-Dragon-Ninja-Warrior rather than Elsa and/or Anna. (And not just because I blame the arctic Halloween weather on the number of Frozen Princesses.) Thing One and Thing Two are sisters,…

DEEPCUTS

Evil Jester’s Halloween Madness!

It’s Deep Cuts weekend at Evil Jester Press’s Halloween Madness Event—your chance to grab Deep Cuts: Mayhem, Menace, & Misery for 99¢! Warning: cuts may be deeper than they appear. 19 short horror stories to give you shivers plus 60 recommendations for powerhouse tales written by women—those bloody stylings and chainsaw rhythms that have lain hidden like deadly gems among…

Contracts: Ask for help

I’ve been reading a lot about the Permuted Press situation, all written by people with more knowledge of the situation than me, so I won’t comment on it, but—

As a type designer, I have done work on a royalty or advance plus royalties basis similar to traditional book publishing, and I have done work for hire in which I gave up all rights to the final work. Each time I did work for hire, I knew that was what I was doing and was well compensated for it.

Writers, if you are signing away all rights to your work for the life of the copyright (until 70 years after your death), you are effectively doing work for hire whether or not the contract uses that phrase. Please, before signing a contract, understand what you are signing, and if you don’t, seek advice from someone who does. (This is in no way meant as a justification of Permuted Press’s actions or an attempt to blame the victims. It’s meant as a cautionary plea. It’s a rough world out there. We need to protect ourselves and each other.)

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